Истоки отечественной некоммерческой реставрации и акцепция ее принципов в современной практике реставрации станковой масляной живописи (перевод статьи)

• Номер работы:
  129798
• Раздел:
  Все работы   →   Контрольные работы   →   Английский язык
• Год подготовки:
  22.08.2009
• Объем работы:
  1 стр.
• Содержание:
  Перевод автореферата с русского на английский язык
• Выдержка из работы:
  Dissertation abstract
  
  
  A.B. Nickolashkina
  
  Beginnings of national noncommercial restoration and acceptance of its principles in the present-day easel oil-painting restoration practice
  
  
  General principles of national scientific restoration – minimization of restoration interference, revelation of an author’s concept and preservation of original materials – have roots stretching back into the beginning of the XX century. These principles were first proclaimed at the All-Russian Congress of Artists held in the end of 1911 – beginning of 1912 in St. Petersburg, were developing over the whole period of the XX century and were fully accepted by the present-day easel oil-painting restoration practice.
  Key words: restoration, easel oil-painting, methodology.
  
  
  The beginning of the XX century in Russia was full of various events in the domain of art, among which the problem of adequacy of restoration to the aim and tasks of historical heritage preservation took an important place. Prior restoration practice was oriented mainly on licking cultural monuments into perfect exhibit shape. In order to realize this aim monuments were exposed to the various total distortions. It caused reasonable indignation among Russian intelligentsia and artists.
  All-Russian Congress of Artists held in December 1911 – January 1912 in St. Petersburg took worthy place in the struggle against this phenomenon existed in Russian restoration practice. Participants of the congress condemned easel oil-painting restoration practice of that time which was oriented to return works of art to their ‘original form’ determined by subjective opinion of a customer and a painting keeper.