Стилистические функции артикля (на примере произведений С.Моэма)

• Номер работы:
  115170
• Раздел:
  Все работы   →   Курсовые проекты - сложные   →   Английский язык
• Год добавления:
  18.04.2009 г.
• Куда сдавалась:
  Институт Лингвистики
• Объем работы:
  20 стр.
• Содержание:
  Contents
  
  Life and work of William Somerset Maugham 2
  Stylistic devices of the language 6
  Stylistic functions of the article in W. S. Maugham’s novel “The Moon and Sixpence” 12
  References 18
  
  References
  
  3. BLOOM, H. (ed.), Modern Critical Views: William Faulkner, Modern Critical Views Series, Chelsea House, New York, 1986.
  4. BRADLEY, S., BEATTY, R. C., LONG, E. Hudson (eds.), The American Tradition in Literature, vol. 2, Grosset & Dunlap, Inc., New York, 1967.
  5. BROWN, G., YULE, G., Discourse Analysis, Cambridge University Press, Cambridge, 1989.
  6. CHATMAN, S., Stylistics: Quantitative and Qualitative, “Style”, vol. I, No. 1, 1967.
  7. CRYSTAL, D., The Cambridge Encyclopedia of Language, Cambridge University Press, Cambridge, 1996.
  8. CRYSTAL, D., BOLTON, W. F. (eds.), The English Language, Penguin Books, London, 1993.
  9. DUCROT, O., SCHAEFFER, J.–M., Noul dicţionar enciclopedic al ştiinţelor limbajului, Editura Babel, Bucureşti, 1996.
  10. FAULKNER, W., The Sound and the Fury, Vintage Books, New York, 1990.
  11. GALPERIN, I. R., Stylistics, Moscow, 1977, second edition.
  12. GRAY, R. J., The Life of William Faulkner: A Critical Biography, Blackwell Publishers, Oxford & Cambridge, 1994.
  13. HULBAN, H., Syntheses in English Lexicology and Semantics, Editura Spanda, Iaşi, 2001.
  14. HULBAN, H., (ed), Style in Language, Discourses, and Literature, vol I, Editura Lumen, Iaşi, 2003.
  15. HULBAN, H., (ed), Style in Language, Discourses, and Literature, vol II, Editura Lumen, Iaşi, 2004.
  16. LEECH, G., M. Short, Style in Fiction, Longman, London and New York, 1990, eighth impression.
  17. LEECH, G., Semantics. The Study of Meaning, Penguin Books, Second Edition, London, 1990.
  18. LEECH, G., Principles of Pragmatics, Longman, London and New York, 1991.
  19. McCARTHY, M., Discourse Analysis for Language Teachers, Cambridge University Press, Cambridge, 1994.
  20. NEAGU, M., Categories in Natural Languages: the Study of Nominal Polysemy in English and Romanian, Editura Alpha, Buzău, 1999.
  21. NIDA, E., Morphology, Ann Arbor, The University of Michigan Press, 1970.
  22. PALMER, F., A Grammar of English Words, London, New York, 1958.
  23. PARTRIDGE, E., Smaller Slang Dictionary, Routledge & Keegan Paul, London, 1968.
  24. SPITZER, L., Linguistics and Literary History. Essays in Stylistics, Russell & Russell, New York, 1962.
  25. SWALES, J. M., Genre Analysis – English in Academic and Research Settings, Cambridge University Press, Cambridge, 1991.
  26. TOOLAN, M., Language in Literature: An Introduction to Stylistics, Arnold Publishers, London and New York, 1998, Preliminaries.
  27. ULLMAN, S., Language and Style, Basil Blackwell, Oxford, 1966.
  28. ULLMAN, S., The Principles of Semantics, Basil Blackwell, Oxford, Jackson & Co., Glasgow, 1967.
  29. ULLMAN, S., Semantics. An Introduction to the Science of Meaning, Basil Blackwell, Oxford, 1970.
  30. ULLMAN, S., Meaning and Style, Basil Blackwell, Oxford, 1973.
  31. VAN DIJK, T. A. (ed.), Discourse as Structure and Process, Sage Publications, New York, 1998.
  32. VAN PEER, W. (ed.), The Taming of the text – Explorations in Language, Literature and Culture, Routledge, London and New York, 1991.
  33. WALES, K., A Dictionary of Stylistics, Longman, London and New York, 1991, second impression.
  34. WIDDOWSON, H. G., Stylistics and the Teaching of Literature, Longman, London, 1997.
  35. WINTER, W., Styles as Dialects, in Proceedings of the 9th International Congress of Linguistics, The Hague, 1964.
  36. Skrebnev Y.V. English Style: Paradigmatic and Syntagmatic Approaches M.,2001
  37. Soshalskaya E.G. , Prokhorova V.I. Stylistic Analysis. Moscow: High School, 1976
  
• Выдержка из работы:
  Некоторые тезисы из работы по теме Стилистические функции артикля (на примере произведений С.Моэма)
  William Somerset Maugham (25 January 1874 – 16 December 1965) was an English playwright, novelist and short story writer. He was one of the most popular authors of his era, and reputedly the highest paid of his profession during the 1930s.
  September 2007 marked the 110th anniversary of the publication of W. Somerset Maugham's first novel, Liza of Lambeth. Written during his final year of medical school, the realistic novel draws upon his experiences in treating patients from the Lambeth slums of London. The book achieved modest public acclaim—even notoriety—sufficient, in fact, for Maugham to abandon his medical career to become a full–time writer. A year after his publishing debut, he left London for Capri in Italy, beginning a lifelong pattern of travel and story–telling that became the Maugham persona for millions of readers. Over the next 60 years, he became one of the most successful writers of all time.
  When Maugham was born—in the British Embassy in Paris in 1874—he was destined to become a lawyer. His father and grandfather had been prominent attorneys, and his oldest brother went on to become England's Lord Chancellor. However, Maugham had a severe stammer, which left him afraid to speak; so there were no plans for him to following the family tradition. Furthermore, he was orphaned by the age of 10 and was sent to England to be raised by an uncle, a clergyman. These circumstances led the young Maugham to be shy and withdrawn; consequently he became an observer rather than an active participant, but he was able to turn this to his advantage as a writer. The unhappiness and anxiety of his early life were recounted in his autobiographical novel, Of Human Bondage (1915), in which his stammer became a deformed foot for the protagonist.
  It is not widely known today that Maugham realized his first major success not as a novelist or short story writer but as a playwright. After Liza of Lambeth, he spent 10 years turning out unsuccessful novels, short stories, and plays. An admirer of Ibsen, he wanted to write dramas confronting social issues of the day. His first produced play, A Man of Honour (1903), a starkly realistic drama of the consequences of misguided virtue, had little success. This play's distinction today is for the collector, and Maugham later referred to it as his scarcest work. The most readable novel from this early period is probably Mrs.Craddock (1902), with its theme of a woman's liberation from traditional Victorian society. The Magician (1908) is based on mystic Aleister Crowley. Maugham and Crowley had met and taken an instant dislike to each other. In Crowley's The Diary of a Drug Fiend he refers to Maugham's portrayal of him as "malignant."
  However in 1907, Maugham achieved the fame and success that he had worked for. Since his early writing was described by critics as gloomy and depressing, he tried his hand at lighter social themes.Lady Frederick (1907), the story of a high society lady who tries to discourage a persistent young suitor, was an instant success with a long run in London's West End. By 1908, he had four plays running simultaneously in London. With the exception of Of Human Bondage, Maugham did not return to writing novels or short stories for more than 10 years. He became a man–about–town, the successful, rich, and witty satirist of British society.